![]() ![]() “Mark jumped ship because he couldn’t deal with the stresses of the touring we were doing, which were excessive, I have to say,” Box says. On January 31, upon completing the final date of the Deep Purple tour, bassist Mark Clarke quit the band, having joined only four months previously. But such a lifestyle wasn’t for everyone. “You’d tell the bird you were in Uriah Heep, and next minute the hotel was full of women,” Box recalled cheerfully. Their gregarious guitarist, meanwhile, was taking advantage of his group’s burgeoning reputation by thumbing through local phone directories and placing calls to random young ladies, inviting them along to gigs and parties. When the group returned to the US for the second time, in January 1972, they were booked to open for Deep Purple, their noisy neighbours from Hanwell Community Centre. Believe me, lots of champagne was cracked open on that first night.” The American audience loved us from the first minute onwards. ![]() “We all felt that this is where we should be. “There was never a feeling of being overawed by it all,” Box insisted to Heep biographer Dave Ling. “When we got there, and saw all the limos and groupies, it was mind-boggling for us,” Hensley said later. For the Londoners it was a first glimpse of the infinite possibilities of rock stardom. In between the two releases, on March 26, ’71 Uriah Heep played their first show in the US, supporting Three Dog Night, in front of 16,000 people at the State Fairground’s Coliseum in Indianapolis, Indiana. Their unfairly maligned Very ’Eavy, Very ’Umble album, mixing folk, blues, jazz and hard rock, was followed by two studio albums in 1971: the progressive rock-inclined Salisbury – on which multi-talented keyboard player Ken Hensley began to eclipse Box and frontman David Byron as the band’s main songwriter – and Look At Yourself, the first release on Gerry Bron’s new record label Bronze Records. By their own admission, on their first three albums the young Uriah Heep were “just thrashing about trying to find a direction”. ![]()
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